a Palate and a Passport

mediterranean fish

February 11, 2011

med_fish

Today's lunch was the the result of using up the cream in my fridge, amongst other  ingredients that  needed to be used today before I set off on my plane journey to Sydney this evening. I also found pictures that I had taken at a Tuscan beach in San Vincenzo last August, and it had inspired me to make an Italian flavoured sauce for the fish...how I long for the sea again!

...go to the mediterranen

crab and chilli linguine

April 10, 2011

quickly made, this pasta pasta dish is refreshing after an afternoon on the beach

crab linguine

If possible, go down to your local fishmonger to pick-up a jar of flaked crabmeat. The texture is firmer and it holds more flavour than crab meat in a tin.

 

for the recipe

black forest ham & smoky cheese tart

 

On location: Rhein Harbour, Karlsruhe with Maurice and Michael for a bit of food and a portrait session.
Menu:  Black forest ham & smoky cheese tart,  Date & hazel nut cake.

ham__chesse_tart

simple rustic food with a beer or two as two buddies catch up on a warm summer evening...

Please come and join us on Facebook!  

...for the recipe and location pictures

its a bloomin joy!

May 8, 2011

purple

I have to confess that I just love doing macro plant and floral portraits. Just getting low enough in search for those tiny, hidden treasures is such a buzz with all the fascinating patterns with stems and leaves. What's more of a surprise is the small, winged visitors that may appear in view of my lens whilst on their feeding frenzy; or perhaps its the multi legged critter that is happily resting in his home. From a standing point all these could be missed! Foremost, I am drawn to the health and the colours of the plant in the way Mother Nature's manages to harmonise these hues.

 Its quite often that I get asked which set-up I use for my floral macro photography, so here's a little overview and starting with the light: early in the morning brings dew on the leaves and when the bugs are quite sluggish (not unlike us in the morning) as they awaken slowly with the morning's warmth. Early evenings on a clear day can also give interesting light with the sun's backlight leaving overlapping patterns in the petals and leaves. My preferred lighting conditions is on an overcast day with no wind, where the sun is doing its best to break through the clouds; on a day like this I would visit a garden as the soft light will give even light throughout, unlike the harsh contrast that bright sunlight will produce. The important tools of the trade would have to be my tripod with its ball head mount, to be able to move the camera freely into a portrait or landscape orientation. Another must tool is a cable release by attaching it to the camera to help prevent any possible shutter movement.  I use my 100 mm macro lens most of the time for close-ups and I switch it to manual focus when the camera is placed on its tripod. This gives me control of the main focus area of my subject. For an interesting effect, I change the focus setting in the camera's functions to spot focus; this will darken the background to allow my subject to remain in the spotlight. Composition can be a challenge sometimes when there are a group of flowers, as I may want to blend out  particular background colours and shapes to allow a single flower to be my main point of focus (like the main picture). I manage this by adjusting my aperture setting (depth of field) on my camera to a large focus (F stop) setting. In my camera bag I also carry a small, white piece of cardboard to times when I would like to reflex some light back onto the subject.

...for more floral pictures

the long lunch

Menutable

A long and relaxed afternoon of feasting with friends, while our host prepares a late summer fare. Here, Uli shares with you his impressive four course menu:

...for menu recipes and pictures

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